库切《耻》中的后殖民空间想象:帝国风景、性别与动物权利

A Post-colonial Study of Space Imagination in Coetzee’s Disgrace:Imperial Landscape,Gender and Animal Rights

废除"种族隔离政策"后的新南非成为J.M.库切《耻》中的叙事空间。小说中的后殖民空间想象包括三个方面:借对主人公卢里的"逆写","帝国风景话语"成为白人在后殖民空间的欲望表达;卢里和女儿露茜对于袭击事件的隐晦态度折射出两人处理后殖民遗留问题的"性别"分歧;小说中出现的对狗等动物的叙述也隐含着对后殖民时代动物权利的思考。借助德勒兹的"生成"理论,指出库切是在打破旧有的后殖民小说"历史再现"逻辑,理解"帝国风景-生成"、"性别-生成"和"动物-生成"等概念对建立一种和谐的生态环境的启示。

In J.M.Coetzee’s Disgrace,the narrative space is set in new South Africa when apartheid policy was abolished.The space imagination in this work includes three aspects,"imperial landscape discourse"turns into the way of desire expression for inverted white Lurie;the diverse implicit attitudes of both characters reflect divergence of handling post-colonial plight;narrations of post-colonial animals like dogs convey deep consideration of animal rights.These elements inspire Coetzee to end narrative logic of"historical representation",thus enabling readers to understand the role of"imperial-landscape-becoming","gender-becoming"and"animal-becoming"in building up a harmonious environment in new South Africa.