摘要
本文以笔者近年来设计完成的4个风景建筑为例,阐述了笔者在中国"山水"语境下,对风景建筑,及其设计这一命题的认识与思考。笔者认为,中国山水自然观没有主客体之分,人将山水视为有灵的伙伴,因此用"山水建筑"一词来定义风景建筑更为准确。关于它的设计,则应从寻景开始,通过营景完成建筑与环境的对话,最终运用题景,将"景-物-人"三位一体,实现情境的营造。
This paper takes four architectural practices in landscape designed by the author in recent years as examples to expound the consideration and cognition on the topic of architecture in landscape and its design in the context of Chinese Shan-Shui(Moutains and Waters) imagery. The author believes that there is no difference between subject and object in Chinese traditional views of nature in landscape, and the Chinese regard landscape, mountains and waters, as their spiritual partner, so it is more accurate to use the word "Architecture in Shan-Shui" to define architecture in landscape. As for its design, we should start from searching for the scenery, complete the dialogue between architecture and environment through constructing the scenery, and finally manifest the scenery to realize the construction of scenario by integrating the "landscape, objects and human".
出处
《建筑创作》
2020年第1期46-67,共22页
ArchiCreation
关键词
山水建筑
山水自然观
万物
相地
情境
Architecture in Shan-Shui
Views nature in Shan-Shui
All things in universe
Xiang-Di(site investigation)
Scenario