唐代中日佛教干漆造像交流研究——以鉴真东渡为例

Research on the exchange between Chinese and Japanese Buddhist dried lacquer statues in tang dynasty--Using Jianzhen’s Japan visitation asn example

文章以唐代中日佛教干漆造像交流为研究对象,以鉴真东渡为切入点,通过历史文献等资料整理,从历史学和社会学,艺术学,设计学的角度对鉴真东渡的历史背景、鉴真六次东渡及东渡后对日本佛教干漆造像的影响三个方面进行分析和阐述,结合日本奈良时代特定的历史环境和背景,探究唐代中日佛教干漆造像交流脉络,揭示鉴真东渡及其团队对日本佛教干漆造像的深远影响,为唐代中日佛教干漆造像交流研究提供新的研究思路。

Taking the exchange of Buddhist dry lacquer statues between China and Japan in the Tang Dynasty as the research object,usig Jianzhen’s Japan visition as the breakthrough point, and based on historical documents, from the perspectives of history and sociology, art and design,this paper analyses and expounds the historical background of Jianzhen’s Japan visitation, the influence of Jianzhen’s six Japan visitation on Japanese Buddhist dry lacquer statues. Combining with the historical environment and background of Nara Times of Japan, this paper explores the exchanges of Buddhist dry lacquer statues between China and Japan in the Tang Dynasty, reveals the far-reaching influence of Jianzhen’s Japan visitation and his team on Japanese Buddhist dry lacquer statues, and provides new research ideas for the exchange of Buddhist dry lacquer statues between China and Japan in the Tang Dynasty.