探析雕漆在中国的生存与发展

Exploring the existence and development of carved lacquerware in China

漆器在中国的发展已有数千年,是中国传统文化的重要积淀和组成部分,而作为其高端产品的雕漆对于国人来说更是意义非常。可在现代工业社会,尤其是从改革开放以来,这种工序繁琐的古老艺术受到越来越大的冲击。有些人为求一时之利开创了所谓的注漆工艺,还美其名曰"现代雕漆"。另一方面,雕漆面临后继无人的尴尬局面,只有少数的老匠人还在以文化遗产承传者的身份坚守着,而他们的作品又往往价格不菲让普通大众无法承受。那么如何有效调节传统技艺与现代工业发展的这种矛盾,并通过一种更加产业化的方式来继承和发展雕漆就变得日益迫切,而这也正是笔者所探究和讨论的核心。

Lacquerware has been developed in China for thousands of years.It is an important accumulation and component of Chinese traditional culture,and the carved lacquerware as its high-end products is of great significance to Chinese people.However,in the modern industrial society,especially since the reform and opening up,this kind of ancient art with complicated procedures has been increasingly impacted.Some people created the so-called lacquering technique for the benefit of the moment,and gave it name"modern carving lacquer".On the other hand,carved lacquerware is facing the embarrassing situation of no one succeeding.Only a few old craftsmen are still holding on as the inheritors of cultural heritage,and their works are often expensive and unbearable for the general public.So how to effectively adjust this contradiction between traditional skills and modern industrial development,and to inherit and develop carved lacquerware through a more industrialized approach have become increasingly urgent,and this is the core of the author’s research and discussion.