摘要
德裔瑞典画家洛特·雷塞斯坦恩是20世纪最早一批女性艺术家之一,她的女性犹太艺术家身份、艺术风格和跌宕起伏的艺术界地位,是一个有趣的研究案例。本文对20世纪上半叶,特别是魏玛共和国时期雷塞斯坦恩的肖像画作品进行研究,通过梳理西方学者对她的研究,并结合其艺术生涯分析她的肖像画代表作品,探讨其写实主义与自然主义相结合的创作方式对现代人物绘画的建构与革新。
The German-Swedish painter Lotte Laserstein is one of the first female artists of the 20th century, Not only her identity as a female Jewish artist but also her artistic inclination and the ups and downs of status in art world always appeal to scholars. This paper serves to explore the construction and innovation achieved by the method of creation which embraces Realism and Naturalism through studying on the portrait works accomplished by Laserstein in the first half of the 20th century, especially those in Germany’s Weimar Republic. In this process, the studies from western scholars for her will be taken into consideration and a serious research into her representative portrait works combined with her art career will be included.
出处
《美术》
CSSCI
北大核心
2020年第5期122-128,133,共8页
Art Magazine
基金
“中央高校基本科研业务费专项资金资助”(批准号:2018NTSS50)项目资助。