摘要
现代学科的发展促进了多学科的交叉研究,叙事成为讨论建筑与其他门类艺术文化相互交流的共通语境。文章借鉴文学理论中对于迷宫叙事与迷宫结构的研究,尝试以迷宫这一意象为切入点,以文学的叙事方式解读卡洛·斯卡帕的建筑创作。通过对斯卡帕三个不同时期作品的分析,分别对应身体探知、时间观与符号中的深层意识这三个主题,探索斯卡帕建筑创作中的典型结构。
Modern discipline promoted the multi-disciplinary research, and narration became a common context for the communication between architecture and other arts. This paper refers to the research of labyrinth narration and structure in literature theory, and uses the image of labyrinth as an entry point to explain the architectural creation of Carlo Scarpa in a literary way. Regarding "physical body perception", "time view" and "deep consciousness in symbols" as three themes, corresponsively, this paper explores the typical structure of architectural creation of Carlo Scarpa by analyzing his works at different periods.
作者
邓启阳
郑力鹏
Deng Qiyang;Zheng Lipeng(School of Architecture,South China University of Technology,Guangzhou Guangdong 510000,China)
出处
《城市建筑》
2020年第9期91-95,共5页
Urbanism and Architecture
关键词
卡洛·斯卡帕
迷宫叙事
身体
时间
符号
Carlo Scarpa
labyrinth narration
physical body
time
symbol
