王树楠题画诗的生命忧思与文人趣味

Life Anxiety and Literary Taste of Wang Shunan's Inscribed Poems

王树楠是近代“河北派”诗人群体的重要人物。学诗从黄庭坚入手,由苏轼上追韩愈、杜甫,与桐城诗派和闽派诗人的诗论有许多相通之处。他历经晚清的变局,其题画诗融入了文士的家国情怀和慷慨雄迈之气,将画家心事、诗家遭际与文人的生命理想在诗画真幻世界中进行自由转换,表现出晚清以来题画诗发展的新境界。题人物画诗勾勒图像中的自我形象,写出了儒者能吏的生命情态;题咏山水画诗与山水行旅的矛盾心态深度交织,呈现出晚清民国文人宦途中经世理想与追求个人自由解放的困惑与无奈。他的题画诗以“诗史”精神孕育“画史”意识,追求天真自然、雅逸淡泊的艺术风格,带有浓郁的文士趣味,体现了深味斯文之道的儒者在易代之际难得的家国之情和生命趣味。

Wang Shunan is an important figure in the modern“Hebei School”poet group.His poetry learning started from Huang Tingjian,and chased from Su Shi to Han Yu and Du Fu upwards,which had many in common with the poetry theory of Tongcheng poets school and Min poets school.After going through the changes of the late Qing Dynasty,his inscribed poems blended with the scribe's homeland feelings and generosity,and freely transformed the painter's mind,the poet's life,and the scribe's life ideals in the real and fantastic world of poetry and painting,showing a new realm of the development of descriptive poems since the late Qing Dynasty.The figure-painting poems outlined the self-image in the image and the life mood of the Confucian.The contradictory mentality of landscape painting poems and landscape travels is deeply intertwined,showing the late Qing Dynasty Republican literati's confusion and helplessness of statecraft ideal and the pursuit of personal liberation in official process.His inscribed poems gave birth to the consciousness of“history of painting”in the spirit of“history of poetry”,pursued innocent,natural,elegant and indifferent artistic style with a strong scribe taste,embodied the rare feelings of homeland and life taste of the scribe who had a deep taste of the decent way on the occasion of change.