根深叶茂,融会贯通——俄罗斯戏剧演出2019年度评述

Deep Roots and Lush Leaves, Fusion and Breakthrough--A Review of the 2019 Russian Theatrical Performance

2019年度的俄罗斯戏剧演出,继续在肥沃的"俄罗斯戏剧学派"土壤中传承与发扬,呈现出更加多元的戏剧创作态势与更为标志性的戏剧演出事件。本文对于2019年度俄罗斯戏剧演出的评述视角立足于"新",又回顾于"旧",以更广阔的视角于"新旧结合"间加以论述,试图展现一幅更为多彩的俄罗斯戏剧演出画面。以期我们追踪与评述俄罗斯的戏剧演出实践创造,更加全面与客观。融合发展的俄罗斯戏剧艺术扎根在演变中前进的斯坦尼斯拉夫斯基体系。而"体系"的核心,就是对人和人性的研究与关注。立足于人,于人性中生根发芽。从"不变"出发,探寻"百变"之形式。2019年度的俄罗斯戏剧演出,变,亦不变。

The 2019 Russian theatrical performance carries on the inheritance in the mold of the "Russian Drama School", presenting a trend of the more diverse theatrical creation and making the theater events even more iconic. This article delivers a review of the 2019 Russian theatrical performance from the perspective of both the "new" and the "old". With this broader perspective combining the new and the old, the article aims to depict a colorful picture of Russian theatre performance. It would also be more comprehensive and objective as we trace and comment on the practices and creation of their theatrical performance. This fusion development of Russian dramatic art is derived from the evolving Stanislavsky system. The core of such a system is the research and concern about "human" and human nature. This core is based on "human", with roots in human nature. What has not changed serves as a point of departure for the exploration of various alternative forms. Russian theatrical performance in 2019 has changed;yet it is not a transformation.