摘要
意大利喜剧家达里奥·福摘得1997年诺贝尔文学奖桂冠,表明以舞台动作和表演书写见长的剧本,消解高高在上的戏剧文学得到了肯定。达里奥·福的喜剧具有鲜明的政治倾向性,游戏和拼贴、荒诞与变形、错位与身份互换、模糊语言与面具人偶等表现手法的运用,构成了他喜剧的艺术特点。在戏谑、讽刺权贵中重建被压迫者的尊严,令人愉悦与又令人思辨。
The winning of the 1997 Nobel Prize in Literature by the Italian comedy writer Dario Fo is a clear indication that his plays long in stage action and interpretations thereof have come at par with the lofty dramatic literature and been positively acknowledged.Dario Fo’s comedy is markedly oriented towards politics.The use of such performing methods as gaming,collage,absurdity,distortion,dislocation,change of identity,masked puppets and grammelot constitutes the artistic features of his comedy.With jocosity and relentless satire against the authorities,Dario Fo aimed at regaining the dignity of the down-trodden.His work is immensely pleasurable,and at the same time,inspiring for intellectual enquiries.
出处
《戏剧(中央戏剧学院学报)》
CSSCI
北大核心
2020年第2期116-127,共12页
Drama:The Journal of the Central Academy of Drama