卡维尔“美国式”电影哲学——以“电影本体论”为考察中心被引量：4

On Stanley Cavell’s Unique Film Philosophy with“American Style”:Focusing on“The Ontology of Film”

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摘要从《所见的世界》《追寻幸福》到《竞争的眼泪》,20世纪最重要的美学家和电影哲学家之一斯坦利·卡维尔独具"美国风格"的电影哲学需要得到全方位的探究。作为电影本体论复兴的发动者,斯坦利·卡维尔对电影本体的思考起码包括三个基本层面。第一,电影与物质"现实"的关系:电影的物质基础乃是"连续的自动世界投影";第二,电影与所见"世界"的关系:电影不在世界之中却在为人们"存留世界";第三,电影与"自动"呈现的关系:电影经由"自动主义"来产生出世界。 From The World Viewed,Pursuits of Happiness to Contesting Tears,as one of the most important aestheticians and film philosophers in the 20 th century,Stanley Cavell’s unique"American style"film philosophy needs to be fully explored.As the initiator of the revival of the ontology of film,Stanley Cavell’s thinking on film ontology includes at least three basic levels:first,the relation between film and material"reality":the material basis of the media of film is"a succession of automatic world projections";second,the relation between film and"the world viewed":the film is to"maintain the presentness of the world"by accepting our absence from the world;third,the relation between film and"automatic"presentation:film reproduces the world through"automatism".

作者刘悦笛 Liu Yuedi

机构地区辽宁大学辽宁大学生活美学研究院中国社会科学院哲学所

出处《电影艺术》 CSSCI 北大核心 2020年第3期27-33,共7页 Film Art

关键词斯坦利·卡维尔电影哲学电影本体论所见世界自动主义 Stanley Cavell the ontology of film film philosophy The World Viewed automatism

分类号 J90-02 [艺术—电影电视艺术]

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参考文献1

1刘悦笛.走向“生活美学”的新电视本体论[J].现代传播（中国传媒大学学报）,2015,37(6):85-90. 被引量：4

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