摘要
《急先锋》作为唐季礼导演2020年的新作,动作场景的设置、讲故事的方式较他之前的作品都有了新的突破。本次访谈从动作片的前期筹备、制作过程与产业发行的角度出发,围绕中国动作片的国际化讲述策略,动作片行业的整体创作理念,以及影片拍摄的经费规划等角度探讨中国电影如何走出去。访谈回顾了唐季礼导演动作片的国际化探索之路,展现出导演努力打破地域局限,立足世界视野与全球观众口味的创作观念,希冀为中国动作电影的未来发展提供某种具有价值的经验和思考。
As the latest work of director Stanley Tong,Vanguard has a new breakthrough on the setting of action scenes and the way of telling stories compared to his previous works.From the perspectives of the preliminary preparation,production process and industrial distribution of action films,this interview discusses how Chinese movies go global,focusing on the internationalization strategy of Chinese action films,the creative concept of the action film industry,and the budget planning for film shooting.The interview reviews the international exploration path of Tang Jili’s action films,showing the director’s striving to break through geographical constraints,based on global vision and the taste of the global audience,hoping to provide some valuable experience and thoughts for the future development of Chinese action films.
出处
《电影艺术》
CSSCI
北大核心
2020年第3期74-80,共7页
Film Art
关键词
《急先锋》
动作大片
国际化
走出去
Vanguard
action film blockbuster
internationalization
going global