喜剧电影表演的闹剧化倾向

The Farcical Tendency of Comedy Film Performance

近年来,华语喜剧电影成绩斐然,并在一定程度上形成了输入性的繁荣。喜剧电影的演员和戏剧演员重合度很高,使得戏剧、电影形成交互式融合,其中利弊互见、得失可辨。近期喜剧电影中的表演,普遍具有闹剧化的倾向,对作品的审美取向和演员的表演技术形成了考验。迅速泛化的闹剧化表演也形成了对喜剧本质的讨论,以及对表演艺术的思考。本文尝试对趋于闹剧化的喜剧电影良好的市场效应进行观照,并对繁盛数年的喜剧电影创作进行深入思考。

In recent years,Chinese comedy films have outstanding achievements and formed an import boom.The high degree of overlap between drama actors and film actors has led to an interactive fusion of drama and film,where there are advantages and disadvantages.The performances in comedy films general y have a tendency to be farcical,which tests the aesthetic orientation of the works and the performing skills of the actors.The rapid generalization of farce has also led to a discussion of the nature of comedy and a reflection on the performing arts.