摘要
"鬼"是魂灵,意味着死亡,《野草》是鲁迅面对着"鬼"的自言自语,也就是与"死"对谈。鲁迅直面着"死",不仅"死之恐惧"再也无法将其绳缚,而且对于个体命中注定的悲剧性死亡以及多少有些夸饰的生命虚无感,鲁迅则大胆地反复地加以盘诘。不仅如此,在鲁迅那里,对死质疑,是跨越生死之鸿沟、追求生命永恒的一种终极关怀,它显现为"存在"的某种自由形态。从这个意义上可以说,鲁迅是在死亡中产生或形成的,鲁迅的"形成"或"形成鲁迅"的那个东西是死亡,鲁迅的生之路也是从这里--死亡--开始迈出第一步的。
Ghost is the soul,which means death.Weeds is soliloquized when Lu Xun faced the ghost.It was also that he talked face-to-face with death.Lu Xun faced death,not only the face of death,for the fear of death no longer sad,but also the nothingness of life,which was highlighted by the tragic death of the doomed,and which was also repeated.Not only that,in Lu Xun,the question of death was a kind of ultimate concern that transcended the gap between life and death and the eternal pursuit of life,but it also appeared as a free form of existence.In this sense,it could be said that Lu Xun was born or formed in death,and that Lu Xun’s formation or the form of Lu Xun was dead;Lu Xun’s way of life was also the first step from here--death.
作者
李玉明
郑直
Li Yuming;Zheng Zhi
出处
《清华大学学报(哲学社会科学版)》
CSSCI
北大核心
2020年第3期134-144,210,共12页
Journal of Tsinghua University(Philosophy and Social Sciences)
基金
国家社会科学基金项目“鲁迅与中国近代个体的‘产生’”(15BZW131)。