虚构与非虚构之间——论阎连科小说《速求共眠——我与生活的一段非虚构》中的含混叙事

Between Fiction and Nonfiction--On the Ambiguous Narration in Yan Lianke′s Novel Named Blind Date,Clear Night

阎连科带着对"写作"这一艺术行为与自身"小说家角色"存在意义的质疑与反思,创作了《速求共眠--我与生活的一段非虚构》,在虚构与非虚构之间演绎经济话语时代作家与文本的生成过程。叙述者的叠合模糊了虚构与非虚构边界,文类跨界指涉多重主题,文本抵牾呈现真实与虚构的对峙,最终共同构建了一个"含混艺术场",表现出作家创作的主体性理想和生活本相之间的紧张与焦虑,传达出作者含混的文化态度。以新叙事模式处理面临的新现实问题,是阎连科写作换气的一次尝试,是谢幕,也是一个全新的开始。

Yan Lianke,with doubts and reflections on the artistic behavior of"writing"and the existing meaning of his"role as a novelist",created Blind Date,Clear Night,which is between fiction and non-fiction and deduces the generation process of writers and"texts"in the era with economy dominating the discourse power.The narrator′s different identities blur the boundary between fiction and nonfiction.The combination of different genres means more themes are involved.Furthermore,the conflicts of the text demonstrate the confrontation between reality and fiction.Finally,the"mixed field of arts"is constructed,showing the tension and anxiety between the subjective ideal created by the writer and life,conveying the writer′s ambiguous attitude towards culture.Yan Lianke makes an attempt to deal with the new issues in reality via the narrative mode,which is not only the end but also a brand-new start.