摘要
国内外对于梅兰芳的学术研究研究颇多,大凡都是以梅兰芳在舞台上的具体表演为研究核心,而本文侧重于从艺术社会学方面的前沿理论"艺术界"的角度来研究梅兰芳所处的艺术关系网络的合作模式,意在能够在这一领域内,对戏曲艺术发展的规律和方向做社会学的把握,并期望对艺术家和艺术界的良性发展起到一定的启迪和辅助作用。
There are many domestic or abroad researches on Mei Lanfang. Most of them focus on details of Mei Lanfang’s performance on the stage, while this paper focuses on the study of the frontier theory of art sociology from the perspective of "art world". This research is intended to be a sociological understanding of the laws and directions of the development of opera art from Mei Lanfang’s model of cooperation in the art world. Writer hopes that would play a certain role in the development of artists and whole art world.
作者
王璞琇
WANG Puxiu(The School of Arts,Communication University of China,Beijing,China 100024)
出处
《内蒙古师范大学学报(哲学社会科学版)》
2020年第2期118-121,共4页
Journal of Inner Mongolia Normal University:Philosophy and Social Sciences Edition
关键词
梅兰芳
艺术界
合作惯例
齐如山
Mei Lanfang
Art World
Cooperative Practice
Qi Rushan