摘要
五代十国政局分裂、社会动荡,政治、经济、文化、艺术等诸多方面都呈现出一种紊乱、多元、复杂的态势。基于这种"裂变"的时代特性,使得当时壁画墓的面貌也表现为多样化。以壁画墓、墓志等考古遗存为研究载体,结合历史文献资料信息,对五代十国壁画墓墓主人阶层进行分析与认定,是深入研究该时期壁画墓的基础和前提,同时更有利于进一步探讨墓主人与墓葬之间的互动关系。
The political situation of the Five Dynasties and Ten Countries was divided and the society was in turmoil.Many aspects such as politics,economy,culture,art and so on presented a chaotic,multiple and complicated situation.Based on the era characteristics of"fission",the tombs with murals at that time were also in diversity.Taking archaeological remains such as tombs with muralsand epitaphs as research carriers,and combining with historical documents and information,the analysis and identification of the class of the owners of the tombs with murals in the Period of Five Dynasties and Ten Countries are the foundation and premise for in-depth study of tombs with muralsin this period,and are more conducive to further discussing the interactive relationship between the tomb owners and the tombs.
出处
《南京艺术学院学报(美术与设计)》
CSSCI
北大核心
2020年第2期8-13,I0002,共7页
Journal of Nanjing Arts Institute:Fine Arts & Design
基金
上海大学电影学高峰学科和上海电影特效工程技术研究中心研究项目(16dz2251300)。
关键词
五代十国
壁画墓
墓主人
阶层
等级
Period of the Five Dynasties and Ten Countries
tomb with murals
owner of a tomb
class
grade