文物保护修复调色原理、材料浅析

The Brief Analysis on the Theory and Materials of Colour Toning in Conserving and Restoring the Cultural Relics

文物保护与修复是一项科学严谨的工作,文物修复工作中经常遇到调色问题,该问题在很多修复门类中都存在,成为公认比较难于掌握的技术,有些人在这个环节被“卡住”,甚至被“淘汰”。很多人遇到调色问题,就归结为“艺术”或者“天赋”,觉得很难逾越。其实调色问题更多依赖的是科学,有规律可循,且并不复杂。文章从牛顿的光学原理入手,尝试摸索一条解决文物保护与修复调色问题的路径。

The conservation and restoration of cultural relics is a scientific and rigorous work.The coloring problems often encounter in the restoration of cultural relics existing in many restoration categories and it has become a technology that is more difficult to grasp.Some people are stuck or even eliminated in this link.Many people attribute colour toning to"art"or"talent"and think it is difficult to tackle it when they come across this problem.In fact,I think the problem of color toning is more dependent on science,is regular,and is not complicated.This article starts with Mr.Newton's optical principle and tries to find a way to solve the problem of colour correction on conserving and restoring cultural relics.