论织补技术在无画底布面中的修复运用

Application of Darning in Conservation of Easel Painting with Raw Canvas

为了研究织补作为中国传统的纺织修补技术能否用于修复结构类似的无画底布面绘画,首先将中国传统织补技术与西方传统布面绘画裂口修复技术进行对比,并分析无画底布面绘画的特性及其修复难度,再通过模拟实验,对比不同修复方式的优缺点和适用条件,并针对无画底布面修复的特点对传统织补进行适当改进,最终将其运用于实际绘画作品的破洞裂口修复。结果表明,传统织补技术在做出适当调整后可以用于布面绘画裂口修复。织补技术虽然对实施对象的局限性较大,但在牢度、可逆性以及视觉效果上相较于西方传统修复方式有着显著优势,适合用于画布厚度适中的无画底布面绘画大型裂口修复。

In order to study whether darning as a traditional Chinese textile repairing technology can be used to restore easel painting with raw canvas,this paper first compares the traditional Chinese darning technology with the traditional methods of repairing tear in western painting.Secondly it analyzes the characteristics of easel painting with raw canvas and the difficulty of conservation.Then it compares the advantages and disadvantages of different restoring methods and their applicable conditions by simulation experiments and proposes appropriate improvements for darning of easel painting with raw canvas.Finally,darning technology can be used to restore tear in the actual painting.The results show that the traditional weaving technology can be used to restore easel painting with raw canvas after making appropriate adjustments.Although darning technology has great limitations on the implementation of the object,it has significant advantages in fastness,reversibility and visual effect compared with the traditional Western repairing methods,and is suitable for large-scale tear with moderate raw canvas thickness.