摘要
作为一种重要的文化载体,瓯窑青瓷折射出不同历史时期的地域文化和审美风格。历代瓯窑器物品类多样,造型丰富,凝聚着瓯地先民的才智、情感和创造力,不仅具有实用功能和审美价值,而且不同程度地反映了人们的宗教信仰、审美习惯、情感追求等深层精神内涵。瓯窑青瓷具有鲜明的地域特性,但与时代风尚、多元文化也有一定的联系。
As an important carrier of culture, celadon ware of Ou kiln reflects the regional culture and aesthetic styles of different historical periods. Ou kiln ware of different ages, with great variety and rich shapes, embodies the wisdom, emotion and creativity of ancestors in the Ou region. It not only has practical functions and aesthetic values, but also displays such deep spiritual connotations as people’s religious beliefs, aesthetic habits and emotion pursuits. The distinct geographical features of Ou kiln ware are also connected with the fashion and multiculture of certain times.
作者
刘明刚
LIU Minggang(Oujiang College,Wenzhou University,Wenzhou,China 325035)
出处
《温州大学学报(社会科学版)》
2020年第3期74-78,共5页
Journal of Wenzhou University:Social Science Edition
基金
浙江省“十三五”省级重点建设实验教学示范中心立项建设项目(浙教办函〔2019〕218号)。
关键词
瓯窑
青瓷
审美意象
文化特征
Ou Kiln
Celadon Ware
Aesthetic Image
Cultural Characteristics