跨媒介文本《金锁记》的女性主义探析

An Analysis of Feminism in the Cross-media Text The Golden Cangue

著名女作家张爱玲创作的小说《金锁记》2004年被改编为同名电视剧,由导演穆德远将其搬上荧屏,引起新的"张爱玲热"现象。小说《金锁记》通过艺术家细腻的文字,展现了女性的不幸以及对不幸命运的痛恨与反抗,而2004年版的电视剧《金锁记》通过错落有致的光、影、声、色,刻画了一位从天真无邪到逐渐变得无奈、矛盾,进而变得近乎冷酷、疯狂的女性形象。以不同媒介形式展现的同名文本《金锁记》,虽在艺术刻画上虚实有别,但在艺术内涵、思想深意等方面却展现出惊人的相似,使曹七巧悲剧性的人生遭际展现无疑。在反抗男权社会的同时,女性主义倡导的女性自主与个体独立,无疑也是跨媒介文本《金锁记》对新时代民众的启蒙寄寓。

In 2004, it was adapted into a TV series of the same name by director Mu Deyuan, arousing a new round of "Zhang Ailing fever". The Golden Cangue, a novel full of desire, forbearance, reluctance and madness, shows women’s misfortune and their hatred and resistance to the misfortune through the artist’s exquisite words. And the TV drama The Golden Cangue, through light, shadow, sound and color, depicts a woman changing from an innocent girl to a helpless woman with inner conflicts and then to a cold and crazy woman. Although the two eponymous texts are different in artistic depiction, they show striking similarities in artistic connotation, thought and meaning. The tragic life of Cao Qiqiao and the blooming and falling of women’s life are thought-provoking. While feminism opposes the patriarchal society, it advocates women’s autonomy and individual independence, which is undoubtedly the enlightening message that the cross-media text The Golden Cangue gives to people in the new era.