明清时期徽州雕花床纹样吉祥寓意探微

Auspicious Meaning of the Patterns of Huizhou Carved Beds in Ming and Qing Dynasties

在民间,雕花床作为传统家具中的一种较为奢华的生活起居品,其雕饰纹样无疑是居室主人对于生活意愿最为真实、直观、鲜明而丰富的一种视觉呈现,同时也是床兼具多种实用功能之外向艺术审美与吉祥寓意上的文化延伸。明清时期徽州雕花床上的丰富纹饰,不仅体现出精湛的徽州工艺,也折射出当地民众的生活愿景、文化性格和审美情趣,有着深层次的意蕴积淀,是传统物质文化的精神见证。

In the folk,carved beds as a kind of relatively luxurious living products in traditional furniture,the carving patterns on them are undoubtedly a type of the most real,intuitive,bright and rich visual presentation of the living will of the home owners.At the same time,it is also a cultural extension of the aesthetic and auspicious meaning with multiple practical functions.With the rise of Huizhou merchants,Huizhou region had a prosperous culture and rich economy in Ming and Qing dynasties,many people were very elaborate in making and decorating beds and other furniture which greatly promoted the development of local carving handicraft.And the rich patterns on the carved beds not only reflected the superb craftsmanship of Huizhou,but also mirrored the local people’s life vision,cultural characters and aesthetic taste.