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宴游赋与我国传统体物审美经验的形成 被引量:1

Banquet Tour Ode and the Formation of Chinese Traditional Aesthetic Experience
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摘要 宴游及宴游赋是窥见我国传统体物审美经验之形成的合适标本。宴游赋体物特征的嬗变提升了我国传统审美意识的自然品格。上林、西园、南皮、华林和金谷所代表的宴游文学活动,促发了两汉至两晋诸多文学集团的创作活动,为生发新的赋作题材、引入新的体物因素做好了准备。由两汉至建安再至南朝,体物意识与文人审美经验层面的固着,其实质差别甚巨。文章选择西园、南皮、华林与金谷园宴游等个案,阐明建安宴游对于文人审美情感多层次化和立体化的开拓,以及两晋至南朝宴游活动及宴游赋对体物之审美经验的发明。 The banquet tour and banquet tour ode are suitable specimens for the formation of the aesthetic experience of traditional Chinese bodies,and the evolution of the characteristics of banquet tour ode has enhanced the natural character of Chinese traditional aesthetic consciousness.The banquet tour and literary activities represented by Shanglin,Xiyuan,Nanpi,Hualin and Jingu had stimulated the creative activities of many literary groups from the Han Dynasty to the Jin Dynasty,and prepared for the development of new subjects and the introduction of new physical factors.From the Han dynasty to Jian’an and to the Southern Dynasty,the physical consciousness and the literati’s aesthetic experience were very different.This paper chooses Xiyuan,Nanpi,Hualin and Jinguyuan banquet tours to illustrate the development of Jian’an banquet tour to the multi-layered and three-dimensional development of literati’s aesthetic emotions,and the invention of the aesthetic experience from the banquet tour activity and banquet tour ode from the Jin Dynasty to the Southern Dynasty.
作者 孙旭辉 SUN Xuhui(Humanities and Foreign Language School of Zhejiang Shuren University,Hangzhou,Zhejiang,310015,China)
出处 《浙江树人大学学报》 2020年第2期73-81,共9页 Journal of Zhejiang Shuren University
基金 浙江省之江青年课题(16ZJQN048YB)。
关键词 宴游赋 体物 审美经验 自然 banquet tour ode object aesthetic experience nature
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