摘要
以外来文艺理论资源对于中国文艺理论教材的影响为切入点,在总结建国后十七年文论教材建设的前期情况下,探讨改革开放40年来,新时期及21世纪后新时期教材序列在编纂体例、文学本质观等问题上体现的哲学美学基础的异同。
Based on the influence of foreign literary theory resources on Chinese literary theory textbooks,and a summary of literary theory textbook construction in the seventeen years after the founding of the People’s Republic of China,this paper studies literary theory textbooks ever since the reform and opening-up,explores the similarities and differences of their philosophical and aesthetic foundations in terms of compiling principles and views of the essence of literature.
作者
朱盈蓓
ZHU Ying-pei(Tan Kah Kee College,Xiamen University,Xiamen,Fujian 363105)
出处
《汕头大学学报(人文社会科学版)》
2019年第11期17-23,94,共8页
Journal of Shantou University(Humanities and Social Sciences Edition)
基金
教育部人文社会科学研究青年基金项目“文学理论教材建设与中国文论现代化研究”(17YJC751061)。
关键词
文艺理论
教材建设
改革开放
审美现代性
文艺学批评
literature theory
construction of textbooks
reform and opening-up
aesthetic modernity