摘要
中西方交流在地理大发现之后的明清两代逐渐增多,伴随着西方传教士而来的西方绘画艺术,尤以铜版画为代表,其数量最多且影响较为广泛,对明清之际中国绘画不论是宫廷美术和文人绘画、民间美术都产生了较为显著的影响,而此时的中国绘画一方面是本土文化意识的觉醒与提高,另一方面是国门日益被打开西方文化的强势侵袭;在内外双重作用力之下,求新思变是必然的,逐渐出现一些新的气象。
Communication between China and the West increased gradually in the Ming and Qing dynasties after the great geographical discovery.European painting art,especially copperplate paintings,which came to China together with missionaries were in a large number and had extensive influence.It had influenced on Chinese painting,whether it was palace art,literati painting or folk art.At that time,on the one hand,China came to awake and improve its awareness of local culture;on the other hand,it faced the strongly invaded western culture after opening its door to the outside world.Under the internal and external forces,it was inevitable to seek new ideas and change,and some new atmosphere also appeared in painting circles.
作者
唐建中
TANG Jian-zhong(College of Art and Design,Nanyang institute of Technology,Nanyang,Henan,473004,China)
出处
《南阳理工学院学报》
2020年第1期71-73,共3页
Journal of Nanyang Institute of Technology
关键词
西画东渐
西方铜版画
明清美术
Transmission of western painting to the east
European copperplate paintings
Ming and Qing art