20世纪五六十年代澳门文学新形态与局限论析

An Analysis of the New Forms and Limitations of Macao Literature in the 1950s and 1960s

20世纪五六十年代的澳门文学,具有"起点"或"重新出发"的意味,并不像某些人所说的是一片空白,或有文学也是香港文学的一部分。它是一种与台港不同更与大陆有异的特殊形态的文学:具有流动性和国际性,作家们没有被纳入体制,纯是个体写作,没有或少有台港文学常见的文学主题。20世纪五六十年代的作品不仅使澳门文学初步定型,而且为20世纪七八十年代澳门文学的发展提供了丰富的资源。此资源由以文学报刊为主导的写实文学,以商业利益为依托的大众文学,以华文(白话文、文言文还有粤语)、葡萄牙文和英文为媒介的多元文学组成,构成"三足鼎立"的文学景观。

Macao literature in the 1950 s and 1960 s contained the meaning of "starting point" or "starting afresh". It is not blank or a part of Hong Kong literature, as some have claimed. Macao literature is different from both Hong Kong and Taiwan literature and Mainland literature in a special form. It is mobile and international. The writers were not included in the system, but wrote individually, without or with little of the common literature in Hong Kong and Taiwan literature in the 1950 s and 1960 s. The works of the 1950 s and 1960 s not only formed the preliminary pattern of Macao literature, but also provided rich resources for the development of Macao literature in the 1970 s and 1980 s. These resources consist of nonfiction literature dominated by literary newspapers, popular literature supported by commercial interests, and pluralistic literature written and spoken in Chinese(vernacular, classical and Cantonese), Portuguese and English. Together, they constitute the literary landscape of the "three pillars"of Macao literature.