论朦胧诗的现代性——从“三个崛起”说起

On the Modernity of Misty Poetry——Starting with the“Rise”Mentioned in the Three Articles

1980年代对朦胧诗开展的论争是中国当代文学及其批评的重要事件,其中为朦胧诗辩护的“三个崛起”不仅为人们理解朦胧诗打开了窗口,而且把握住了朦胧诗的重要特质——现代性。正是这“三个崛起”使朦胧诗所承续的现代精神范式效应扩大化。朦胧诗的现代性主要呈现为主体现代性、启蒙现代性、审美现代性。朦胧诗的现代性对于中断了的20世纪中国现代诗歌具有承接作用,并对新时期诗歌乃至整个文学发展趋势产生了重大影响。

The debate on misty poetry in the 1980s is an important event of contemporary Chinese literature and its criticism,among which the“rise”mentioned in the three articles defending misty poetry not only opens a window for people to understand misty poetry,but also grasps the important characteristic of misty poetry——the modernity.It is the“rise”mentioned in the three articles that enlarges the modern spiritual paradigm inherited by misty poetry.The modernity of misty poetry mainly presents the subjective modernity,enlightenment modernity and aesthetic modernity,which plays a role in inheriting the interrupted Chinese modern poetry of the 20th century and has an influence on the development trend of poetry and even literature in the new period.