摘要
刁亦男第四部编导作品《南方车站的聚会》对观众造成较大困扰。通过梳理刁亦男创作生涯,将《南方车站的聚会》与其前作《白日焰火》进行比较,我们发现,《南方车站的聚会》仍属挪用多种商业类型的艺术电影,在悲剧故事、冷峻外观的包裹之下,导演将热情投射于陷入绝境的人物,传达个性化的社会认知与人生体验,其风格充满内在矛盾张力。
Diao Yinan’s fourth film The Wild Goose Lake brings a big puzzle for audiences. By studying Diao Yinan’s career and comparing The Wild Goose Lake with his previous work Black Coal Thin Ice,the former one is found to be an art film that contains many commercial genres with a tragic story. The director projects his passion onto the characters in despair,conveys personalized social cognition and life experience,and makes the style full of inner conflict.
作者
杨波
YANG Bo(Chinese Department,Hanjiang Normal University,Shiyan 442000,China)
出处
《湖北工业职业技术学院学报》
2020年第1期53-56,共4页
Journal of Hubei Industrial Polytechnic
基金
湖北省教育厅人文社会科学研究一般项目“进入新世纪以来华语电影的美学拓展”(15Y175)。
关键词
华语电影
刁亦男
南方车站的聚会
Chinese film
Diao Yinan
The Wild Goose Lake
type
style
