摘要
"生生之美"作为中国佛家多种艺术形式之核心,同样体现在丰子恺与弘一法师(李叔同)合作的《护生画集》之中。丰子恺应弘一法师之约,历时46年,作画450幅,并配以诗文,经包括弘一法师在内的著名书法家书写,以佛儒与古今结合的方法,完成旷古未有的《护生画集》。该画集以佛家清净悲悯之心,弘扬佛法,阐释"护生即护心"之宗旨,成为佛家宏著、艺术奇葩。画集集中表现了佛家常怀悲悯之心的重要内涵,包括养护佛家之清净心、怜悯心、仁爱心、爱生心与戒杀心等丰富内容,意义深远,具有永恒的价值。
The aesthetic life-rearing lies at the heart of various forms of Chinese Buddhist art, and is also reflected in Feng Zikai’s Paintings for the Preservation of Life collaborated with Master Hongyi(Li Shutong). Upon the request of Master Hongyi, Feng drew 450 pictures during a course of forty-six years, finished with poems and essays by noted calligraphers including Master Hongyi. The collaboration aims to spread the Buddhist purity of mind and compassion to beings, illustrating the doctrine that preservation of life preserves mind, and becomes an unprecedented Buddhist masterpiece. Buddhist concepts such as pure mind, compassion, benevolence, agape for beings,, and non-killing are conveyed in the artwork.
作者
曾繁仁
黄若愚
Zeng Fanren;Huang Ruoyu(the Center for Literary Theory and Aesthetics,Shandong University,Jinan 250100,Shandong,China)
出处
《文艺理论研究》
CSSCI
北大核心
2020年第2期1-8,共8页
Theoretical Studies in Literature and Art
基金
国家社科基金重大攻关项目“生态美学文献整理与研究”[项目编号16ZDA111]的阶段性成果。
关键词
《护生画集》
生生之美
护生即护心
清净心
戒杀心
Painting for the Preservation of Life
aesthetic life-rearing
preservation of life preserves mind
pure mind
ahimsa(non-killing)
