摘要
"前卫"概念用于艺术,具有政治前卫与审美前卫的双重意涵,某种程度上,这恰好对应于前卫艺术介入社会的两种路径:一是扬弃艺术自律,依照某种政治理念与党派立场直接介入社会;二是坚守艺术自律,通过保持与社会的疏离间接介入社会。前卫艺术介入社会的观念与路径内蕴着难以调和的矛盾性,这一内在悖论既构成了前卫艺术真正介入社会的难度,也决定了其介入社会效果的限度。
The concept of "the avant-garde" has both political and aesthetic connotation when applied to arts, which, to some degree, corresponds to its two approaches of intervening in society. It either abandons artistic autonomy and directly intervenes in society based on certain political ideas and party positions, or, it adheres to artistic autonomy and intervenes indirectly in society by maintaining a distance from society. There are thus irreconcilable contradictions between ideas and approaches of the avant-garde when it intervenes in society. This internal paradox makes it difficult for avant-garde art to truly intervene in society, and it also determines the efficacy of its intervention.
作者
李雷
Li Lei(the School of Literature,Capital Normal University,Beijing 100089,China)
出处
《文艺理论研究》
CSSCI
北大核心
2020年第2期57-67,共11页
Theoretical Studies in Literature and Art
基金
文化部文化艺术研究项目“公共艺术介入城市社区文化建设研究”[项目编号:16DH77]
北京市教育委员会科研计划项目“当代公共艺术生产场域研究”[项目编号:SM201910028006]的阶段性成果。
关键词
艺术介入
自律性
前卫艺术
非有机性
artistic intervention
autonomy
avant-garde art
the non-organic