“逍遥”的字源意象与“道”之三位一体

Three in One of the Source Image of “Xiaoyao” and “Tao”

"逍遥"是《庄子》对理想人生的描述,其概念意涵却不确定。汉晋以前的典籍"逍遥"与"消摇"并存,从字源考察,其词义内核中有先民制陶流程的投影。"逍遥"的各种歧解,或都关涉陶艺事象的某个侧面。"鲲鹏"寓言是作者阐述"逍遥"内涵的创造,隐喻的是天地之气,透射着《庄子》对宗教神的怀疑。大鹏"抟扶摇而上"是无为随化、顺势旋升、混同万物、不辩小大的道性显现。鲲鹏、逍遥、道三位一体。"逍遥"意蕴的发散性,与《易传》"取物观象"的思维模式一致。"逍遥"意象的整体直观特点与逻辑概念的抽象性疏离,但表现无所不包、不可言说的本体之道,具有独特的优势。

"Xiaoyao"is the description of ideal life in Zhuangzi,but its concept meaning is uncertain. From the perspective of etymology,there is a projection of the pottery making process of ancestors in its meaning core. The fable of"Kun Peng"is the creation of the author’s elaboration of the connotation of"Xiaoyao",which is metaphorical of the spirit of heaven and earth and reflects the doubt of Zhuangzi on the religious god. Kun Peng,Xiaoyao and Tao are three in one. The overall intuitive characteristics of the image of"Xiaoyao"are alienated from the abstractness of the logical concept,but it has unique advantages to express all the inclusive and unspeakable way of noumenon.