论王安忆上海书写的转变:从《长恨歌》到《考工记》

On the Transformation of Wang Anyi's Writing in Shanghai:from the Everlasting Regret to the Notes of Examiner

王安忆新作《考工记》被直接称为"《长恨歌》后又一部低回慢转的上海别转。"两部小说通过"一人一城"的模式,描绘了20世纪40年代到20世纪末上海的生活图景,展示上海近现代都市化进程,但《考工记》几乎从《长恨歌》的对立面结构文本,转变叙述视点、性别视域和叙述重心。采用男性视角切入文本,以动态的目光作为观看城市的视点,将叙述重心转向器物,以呈现不同的市民性格和生活细节。《考工记》超越读者阅读期待,打破上海的刻板印象,并在人/宅的坚守故事中探寻历史发展的规律,是王安忆上海书写的新高度。

Wang Anyi's new work is called the model of the"Everlasting Regret,and then a low-back,slow-to-turn Shanghai."two novels through the"One man and one city",which depicts the life picture of Shanghai from the 1940s to the end of the 20th century,and shows the process of the modern urbanization in Shanghai.However,the author of the paper is to change the point of view,the view of the gender and the center of gravity of the narrative from the opposite structure of the"Everlasting Regret".With a male perspective cut into the text,a dynamic eye is used as the view of the city,and the fo⁃cus of the center of gravity is described in order to present different people's character and life details.The Notes of Exam⁃iner Transcendence the reader's reading expectations It is the new height of Wang Anyi's writing in Shanghai,and explor⁃ing the law of historical development in the man/house's adherence to the story.