文学译介中的译者主体性研究--以日译期刊《灯火》模式为例

A Study on the Translator’s Subjectivity in Literary Translation--Taking the Mode of Tomoshibi as an Example

中国文学对外译介活动由来已久,相关批评成果丰富多样。近年,学界以"译者主体性"为中心的讨论比较热烈,内容涉及译介动机、翻译策略、社会影响等方面。但是,很多研究默认译者为"个体",强调母语的优势或劣势,忽略对译者群体、共同作业的考察,对在此过程中存在的译者间的共融性、互补性和创新性研究不足。日译期刊《灯火》通过尝试性译介实践,为相关工作提供新的思路,也为译者主体性研究提供例证。而这种由中方主导、中日双方共同协作的模式亦可复制至其他译介活动中,助力中国文学的国际传播。

The translation of Chinese literature is a long-standing practice with various criticisms. In recent years, there have been heated discussions focusing on the "translator’s subjectivity" in the academic field, including the translation motivation, translation strategy, and the social influence. However, translators are often seen as "individuals". The advantages or disadvantages of mother tongue are emphasized;the studies on translators and cooperation are ignored, and there is a lack of the research on the amalgamation, complementarity, and innovation among translators during the process. The periodical on Japanese translation, Tomoshibi, provides new ideas for related fields and examples for the research on the translator’s subjectivity by tentative practices of translation. The mode of China-Japan cooperation led by China can also be used in the translation to propel the spread of Chinese literature overseas.