创伤理论视域下的《孟买酒店》——以文化创伤与悲剧叙事为研究中心

Mumbai Hotel in the Perspective of Trauma Theory——Taking Cultural Trauma and Tragic Narrative as the Research Center

2019年新上映的影片《孟买酒店》根据真实事件改编,高度还原了2008年孟买恐怖袭击案。如何重述这一事件成为影片最大的亮点所在。文章以该影片为研究对象,以作为当下热点的文化创伤与悲剧叙事理论为中心,从“语言符号操演下的文化创伤”“悲剧叙事的魅力”和“对当代事实进行创伤书写的意义”三个方面入手,探析影片背后的现实意义,也借此明示其对于灾难纪念启示意义:不再一味强调现世的光明与灾难的永不复现,而是在不背离伦理和善的基础上,直面惨烈的鲜血。

The newly released film Mumbai Hotel in 2019 was adapted based on real events and highly restored the 2008 Mumbai terrorist attack.How to retell this incident becomes the biggest highlight of the film.The article takes the film as the research object,centering on the cultural trauma and tragic narrative theory of the current hot spot,from“cultural trauma under the language symbolic manipulation”,“charm of the tragedy narrative”and“meaning of traumatic writing to contemporary facts”.These three aspects start with the analysis of the practical significance behind the film,and also express its significance for the disaster memorial:no longer emphasize the reappearance of the light and disaster of the world,but on the basis of not deviating from ethics and goodness.Face the tragic blood.