文化史学审美化视域下《明代汉江文化史》书美技法探析

On Depicting Technique in Culture History of Hanjiang River in the Ming Dynasty from the Perspective of Aestheticization of Culture History

对于美的诉求并非文学的专利,对于美的书写表达并非文学创作的专有目标,学术著作书写蕴含的美的意蕴显得更为难能可贵。以历史学为基,以文化学为核心,融合其他学科为养分的文化史学,将历史文化审美化,是其当下诉求的亮点之一。潘世东教授新著《明代汉江文化史》聚焦明代汉江流域诸多文化事相,力求且已清晰解析明代汉江文化当代价值与现实意义,其书写表达融历史学、文化学、社会学、美学等学科为一体,是地道的优秀学术力作,更是文化史学乃至新文化史学的书美典范,其书美技法体现在点线融合、奇正相辅、引论一体等层面。

The appeal of aesthetics is not the pursuit of literature and the expression of aesthetics not the only purpose of literary creation,so it is rare to see connotation of aesthetics reflected in academic works.Based on history,the culture history with its core of culture and combination of other subjects has made history and culture aestheticized,which is one of the highlights culture history study.The Culture History of Hanjiang River in the Ming Dynasty by Professor Pan Shidong centers on many cultural events in the Hanjiang River of the Ming dynasty and analyzes the contemporary value and practical implications of Hanjiang Culture in the Ming dynasty.History,culture,sociology and aesthetics are integrated into his Book which is regarded as excellent academic works and even example of aesthetics depiction in modern culture history.The depicting technique of aesthetics is found in many aspects.