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马克思主义艺术生产理论与审美自律论的悖论 被引量:4

On the Paradox of Marxist Art Production Theory and Aesthetic Self-Discipline Theory
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摘要 马克思主义的艺术生产理论是基于马克思主义的世界史观和从政治经济学角度对资本主义社会和资产阶级展开批判的视野。该理论触及了资本主义社会的艺术生产被社会化商品生产和资本逻辑所绑架的实质。由于艺术生产被纳入社会化商品生产和资本的逻辑链条,致使现代西方资本主义社会艺术生产论域内的审美自律论和艺术自主论,从其诞生之日起就潜藏着深刻的内在悖论,由此决定了审美自律和艺术自主的主张在根本上就是一种无法实现的理论神话。 Marxist theory of art production is a critical perspective to capitalist society and bourgeoisie based on Marxist view of world history and political economy. This theory holds that the art production in capitalist society is kidnapped by the social commodity production and the capital logic. Based on the above,this paper argues that a deep inner paradox has been embedded in the aesthetic self-discipline and art-autonomy in the art production domain of the modern Western capitalist society ever since its birth,since art production is trapped in the logic chain of the social production of goods and capital,which determines the claim of aesthetic self-discipline and art-autonomy is a myth that can never come true essentially.
作者 阎嘉 Yan Jia
出处 《社会科学战线》 CSSCI 北大核心 2020年第5期181-188,282,共9页 Social Science Front
基金 国家社会科学基金重大项目(17ZDA271)。
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