摘要
1998年,野村万作与张继青于东京国立能乐堂共同演绎昆曲《秋江》,这是昆曲与狂言的首次合作,在中日文化交流史上具有重大意义。本文着重对野村万作与中国戏曲的渊源,及其与张继青共演《秋江》的始末进行回顾与梳理,并对未来中日传统戏剧的交流进行展望。
In 1998 Nomura Mansaku and Zhang Jiqing performed together the Kunqu Qiujiang in Na-tional Noh Hall in Tokyo,which was the first cooperation of Kunqu and Kyogen.And it is of great signifi-cance in cultural communication between China and Japan.This paper focuses on tracing the origin of No-mura Mansaku with Chinese opera,reviewing the whole process of his performance with Zhang Jiqing and expressing the prospect of the exchange between traditional Chinese and Japanese drama.
作者
温彬(译)
Fujioka Michiko;WEN Bin(Trans)(Kyoto Seibo College,612-0278,Kyoto,Japan)
出处
《北方工业大学学报》
2020年第3期64-69,共6页
Journal of North China University of Technology