禽类仿生造型在传统陶瓷中的应运

The Application of Bionic Arts of Birds in Traditional Ceramic

随着新石器时代陶器的出现,人类的审美功能得到开发,在传统造型的设计中注重人与自然的和谐,通过模仿自然界中的各种物体来认识世界。因此,“制器尚象”、“观物取象”之类的思维方式通过成型逐渐体现,而禽类形态则成为众多造物者经常拟仿的对象。为此本文以仿生造型为切入点,结合禽类仿生造型在传统陶瓷中的运用,通过两者形象进行对比分析,总结禽类仿生造型对传统陶瓷造型的影响。

With the appearance of pottery of the Neolithic Age,aesthetic functions of human beings were developed.Traditional modelling design focused on the harmony of nature and human beings.People knew about the world through imitating various objects in nature.Therefore,the thinking modes,such as“When manufacturing an article or an implement,it is necessary to refer to its shape or drawing”and“watching for images”,gradually embodied themselves through shaping.The shapes of birds thus became the objects that were frequently imitated.This paper starts from bionic modelling and refers to the application of bionic modelling of birds in traditional ceramic.Through contrastive analysis(CA)of these two aspect images,it makes a summary of the impact of bionic modelling of birds on traditional ceramic.