摘要
陶瓷是一种工艺美术,也是一种民俗文化,历史传承,因此中国陶瓷纪录片与社会、文化、美学的关系极为密切,表现出浓厚的本土文化特色,也广泛反映了我国人民的社会生活、世态人情和审美观念、审美价值、审美情趣与审美追求。在“一带一路”全球语境下,研究中国陶瓷纪录片的社会和美学价值不仅能够帮助中国陶瓷纪录片提升国际影响力,增强公众的凝聚力,还有助于塑造国家形象,加强我国陶瓷文化域外传播,让更多的国家更好地了解中国,提高中国在世界的影响力。
ceramics is not only a kind of Arts and crafts,but also a kind of folk culture and historical inheritance,thus the relationship between Chinese ceramics documentary and society,culture and aesthetics is very close,which shows strong local cultural characteristics,and also widely reflects the social life,the way of the world and the aesthetic concept,aesthetic value,aesthetic interest and aesthetic pursuit of our people.In the context of"one belt and one road",studying the social and aesthetic value of Chinese ceramic documentaries can not only help Chinese ceramic documentaries enhance their international influence and public cohesion,but also help to shape national image,enhance the dissemination of ceramic culture in the world,enable more countries to better understand China and improve China's influence on the world.
作者
邬玲琳
Wu Linglin(Jingdezhen Ceramic Institute,Jingdezhen,333000)
出处
《陶瓷研究》
2020年第2期69-71,共3页
Ceramic Studies
基金
2018年景德镇市社会科学规划重点项目《“一带一路”全球语境下中国陶瓷纪录片的社会与文化价值研究》研究成果
2018年景德镇市科技局软科学项目20181RKX004《全球语境下中国陶瓷纪录片的社会与美学价值研究》研究成果。
关键词
一带一路
中国陶瓷纪录片
社会价值
美学价值
One belt and one road
Chinese ceramic documentary
social value
aesthetic value