大众传媒视野中的日据初期台湾戏曲--以《台湾日日新报》(1898-1911)为中心

Taiwan's Chinese Opera in the Early Period of Colonial Taiwan from the Perspective of Mass Media

日据初期的台湾戏曲是近代戏曲史中的重要一环,在台湾岛内的戏曲发展历程中扮演着承前启后的关键角色。在当时台湾发行的日人报纸中找寻相关资料深入挖掘,或可更为准确地把握这一时期其戏曲发展的真实风貌。从大众传媒所能提供的独特视野中,日本殖民当局对于戏曲演出的管制情况、台湾本土的艺旦女戏、专门演出中国戏曲的新式剧场的建设及经营、大陆来台戏班与日据初期台湾剧坛的交流互动等都得到了不同程度的展示。这无疑为深入认识戏曲在日本殖民统治下的台湾的真实生存状况进一步积累了文献基础,是在两岸间为同源共通的审美认同寻求史实依据的有益尝试。

Taiwan’s Chinese opera in the early years of Colonial Taiwan played an important role in the modern history of Chinese opera and a transitional role in the development of Taiwan’s Chinese opera.By digging into the Japanese newspapers of the time,this article explores the Chinese opera scenes in Colonial Taiwan.Mass media provides a distinctive perspective from which we could see the administration of Chinese opera by the Japanese colonial government,Taiwan opera performed only by actresses,modern theaters built and run solely for Chinese opera,the interactions between troupes from China's Mainland and those from Colonial Taiwan.Mass media contributes to the literature on the situation of Chinese opera in Colonial Taiwan,which is beneficial to historical studies in the aesthetics shared by China's Mainland and Taiwan.