高建群与贾平凹文学创作中的女性观比较论——以《大平原》中的顾兰子与《山本》中的陆菊人为例

Comparison between Gao Jianqun and Jia Pingwa’s View of Women in Literary Creation Based on“Gu Lanzi”in Da Ping Yuan and“Lu Juren”in The Story in Qinling Mountains

与贾平凹在其作品中着意塑造需要仰视的“女神”形象相比较,高建群笔下的女性更多的是质朴淳厚的原生态女性形象;贾平凹笔下频频出现内心充溢着传统儒教思想的女性形象,高建群笔下的女性则更趋向于追求真实本质的自我镜像。从地域文化、成长道路、文学熏陶等方面可对两位作家不同女性观以及女性形象塑造成因进行探析。女性人物形象塑造寄托着两位作家探求女性生存与发展之路、即女性该以怎样的姿态来平衡自我与家庭、自我与社会、自我与时代之间的矛盾与冲突的良苦用心。

Compared with Jia Pingwa’s images of“goddess”that need to be looked up in his works,Gao Jianqun’s women are more simple and honest original female images.The female images filled with traditional Confucian elements frequently appear in Jia Pingwa’s works,while Gao Jianqun’s tend to pursue the self-image of the true nature.From the regional culture,growth path,literary edification and other aspects of the two writers’different views on women and the causes of female image shaping can be explored.The creation of female characters embodies the two writers’intention to explore the way of women’s survival and development,that is,how should women balance the contradiction and conflict between themselves and family,between themselves and society,and between themselves and the times.