期刊文献+

基于主观感知得分与客观音频特征的中国民族乐器音色相似性的研究 被引量:2

A Study on the Timbre Similarity of Chinese Musical Instrument Based on Subjective Perception Scores and Objective Audio Features
下载PDF
导出
摘要 从主观感知得分与客观音频特征两个角度出发,研究了37种常见的中国民族乐器音色的相似性.通过乐器的主观感知得分,提出1种可视化的主观音色描述方式,并计算音色感知向量之间的差异性得到主观音色的相似性矩阵,然后提取出表征音色的客观音频特征,并计算特征之间的差异性,得到客观音色特征的相似性矩阵.此外,本文还研究了音色的主观相似性与客观相似性之间的相关性.该研究有助于中国乐团的声学研究,也可为中国民族乐器的信息检索、音频检测等应用提供参考. The timbre similarity of 37 Chinese musical instruments are studied from the perspective of subjective perception scores and objective audio features.Specifically,based on the subjective perception scores of instruments,a visually subjective timbre description method is proposed.Besides,timbre similarity matrices are calculated through the difference between the timbre perception vectors and subjective audio features respectively.In addition,this paper also discusses the correlation between subjective and objective timbre similarity matrices.The study is helpful for the acoustic research of the Chinese orchestra and could be served as a reference for tasks such as music information retrieval and audio detection.
作者 李子晋 江益靓 梁晓晶 LI Zijin;JIANG Yiliang;LIANG Xiaojing((1. Musicology Department, China Conservatory of Music, Beijing 100101, China;School of Computer Science and Technology, Fudan University, Shanghai 201203, China)
出处 《复旦学报(自然科学版)》 CAS CSCD 北大核心 2020年第3期338-345,共8页 Journal of Fudan University:Natural Science
基金 国家艺术基金(01020120180529564031)。
关键词 中国民族乐器 音色感知 听觉属性 声音相似性 Chinese musical instruments timbre perception auditory attributes sound similarity
  • 相关文献

参考文献4

二级参考文献31

  • 1顾冠仁.努力发展民族乐队交响性功能及交响性创作手法[J].人民音乐,1998(6):8-10. 被引量:6
  • 2孟子厚,赵凤杰.民乐片段混响感主观偏爱度的初步实验[J].应用声学,2007,26(1):41-45. 被引量:14
  • 3卢纹岱.SPSSforwindows统计分析(第3版).北京:电子工业出版社,2008.
  • 4Malmberg V.The perception of consonance and dissonance. Psychol.Monogr,1918;25(2):93-133.
  • 5Akio K,Mamorc K.Consonance theory:part I- consonance of dyads,part II- consonance of complex tones and its computation method.J.Acoust.Soc.Am.,1969;45(6): 1451-1469.
  • 6Ludger H.Consonance/dissonance - a history perspective. Proceedings of the 11th International Conference on Music Perception and Cognition,Washington,USA,2010:852- 856.
  • 7Euler E.Tentamen novae theoriae musicae excertissimis harmoniae principiis dilucide expositae.Petropoli:Extypographia Academiae scientiarum,1739.
  • 8Stumpf C.Tonsychologie.Leipzig:Hirzel,1883.
  • 9Helmholtz Hermann L F,Translated by Alexander.On the sensation of tone as a physiological basis for the theory of music.New York:Dover Publications,1954.
  • 10Plomp R,Levelt W J M.Tonal consonance and critical bandwidth.J.Acoust.Soc.Am.,1965;38:548-560.

共引文献26

同被引文献14

引证文献2

二级引证文献1

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部