《唐诗画谱》中的文图规范、图解文本和文图张力

Specifications of Texts and Images,Illustrated Texts and Tension Between Texts and Images in Tang Poem Picture Book

作为明代“诗书画”一体的代表作,《唐诗画谱》中的图文关系,学界尚未进行系统、深入探究。从文图规范角度而言,《唐诗画谱》中的插图并非以唐诗原貌为本,而以带有异文甚至笔误的手写唐诗为准。作为阐释诗意的图解文本,插图不仅详细、直观、准确、丰富、深度地再现诗意,同时也充分利用插图的创造力,巧妙地表现诗意乃至诗外之音,使诗歌评价跳出惯有的诗学标准和诗派之争,揭示出图解文本在诗歌阐释中的学术价值。由于艺术特质不同,《唐诗画谱》在处理诗画矛盾的同时,对文图张力进行有益探索,展现出诗画互让、互转和互换三种类型,为文图关系健康发展开辟了新天地,值得读图时代借鉴。

As a masterpiece of the combination of poetry,calligraphy and painting in the Ming Dynasty,the work of Tang Poem Picture Book presents the relationship between images and texts,which has not been systematically explored.From the perspective of the specifications of texts and images,the images in Tang Poem Picture Book are not based on the original edition of Tang poems,but based on handwritten Tang poems with variations.As an interpretation of poetry,the images not only reproduce poetry from detail,intuition,accuracy,richness and depth,but also make full use of the graphic creativity,subtly expressing poetic contents,making poetry comments out of the usual poetic standards and revealing the academic value.Due to the difference in artistic traits,Tang Poem Picture Book explores the tension between texts and images,presents three types of relationship between image and text,namely mutual courtesy,mutual transformation and mutual replacement,which is worth appreciating for people to read pictures.