摘要
在现代传播的环境下,有必要通过审视戏剧本体与传播载体的关系,提出“戏剧场”的观念。它是戏剧审美传播中的动态媒介,其核心是观演关系,它是以剧场为空间、舞台为中心的戏剧观演的引力场,是戏剧鲜活生命力的表征。“场域”的提出拓展了传统戏剧本体论观点,由此展望戏剧在新媒体中的生存前景。
In the context of modern communication,the concept of“theatre field”is put forward with the examination of the relationship between the theatre itself and the media.It is a dynamic medium in the aesthetic communication of theatre,whose core is the relationship between performance and acceptance.It is the gravitational field of performance and acceptance with theater as the space and stage as the center,and it is the representation of the vitality of theatre.The proposition of“field”expands the ontology of traditional theatre and looks forward to the future of theatre in new media.
出处
《戏剧艺术》
CSSCI
北大核心
2020年第3期22-29,共8页
Theatre Arts
基金
国家社会科学基金艺术学重大项目“‘微时代’的文艺批评研究”的阶段性成果,项目编号:19ZD02。
关键词
戏剧性
本体
戏剧场
theatricality
ontology
theatre field