再造“地方”:新的文化治理视域下上海戏曲文化空间的生产

“Place”Reconstruction:The Production of Shanghai Urban Xiqu Cultural Space under the View of New Cultural Governance Policy

新的文化治理政策下,以戏曲为代表的地方性文化在全球表演场景中再造地方,重建城市地方感。戏曲剧场重新布局,演出空间规模扩大;“小剧场戏曲”与“大剧场戏曲”以不同的剧场实践重写被全球资本和权力所规划的上海文化空间;国有院团和民营院团在不同的场域中再造不同的“地方”,生产多元各异的“地方感”。全球表演场景下,上海戏曲文化空间的生产表现了作为国家意志的文化治理政策下戏曲演出主体围绕再造“地方”所展现的能动性和创造力。

Under the new cultural governance policy,the local culture represented by Xiqu reconstructs the“place”in the global performing scenes and rebuilds the sense of“place”of the city.The scale of Xiqu acting space expands because of the re-layout of Xiqu theatrical space.“Minor Theatre Xiqu”and“Grand Theater Xiqu”rewrite Shanghai s urban cultural spaces planned by global capital and power with their different theatrical spacial practices,completing the reconstruction of“place”.State-owned Xiqu companies and private ones reconstruct different“places”in different fields,producing diverse sense of“place”.In the context of global performance,the production of Shanghai urban Xiqu cultural space demonstrates the initiative and creativity of the Xiqu companies around the reconstruction of“place”under the cultural governance policy which is the manifestation of the will of the nation.