摘要
桂林漆器历史悠久,文化背景深远,是根植于中国漆器工艺之林的一朵奇葩,有着独特的造型、色彩、胎体材料和审美意趣。作为民间传统技艺类非物质文化遗产,桂林漆器在选材、造型、制漆、制作及应用等方面均体现了真、善、美、益、宜的生态中和智慧及审美趣向,蕴含着独特的生态中和之美,体现了东方传统美学与工匠精神。
Deeply associated with Chinese lacquer ware arts,Guilin lacquer wares,with a long history and profound cultural background,are believed to be peculiar ones,well-endowed with unique styles,colors,matrix materials and aesthetic tastes.As an intangible cultural heritage of folk traditional craftsmanship,lacquer wares in Guilin exhibit the aesthetic trends and ecological wisdom of neutralization embracing the truth,the virtue,the beauty,the benefit and the appropriateness in the realm of material selection,ware style,lacquering and application.Therefore,Guilin lacquer wares are considered an embodiment of the beauty of neutralization,signifying the perfect unification between traditional oriental aesthetics and craftsmanship.
作者
唐韵萌
Tang Yunmeng(Guilin Mass Art Museum,Guilin,Guangxi 541001,China)
基金
2017年国家社科基金西部项目“共生理论视阈下西南民族地区农民生态道德治理现状及对策研究”(项目编号:17XMZ025)
2015年广西哲学社会科学规划课题“共生视域下广西少数民族地区农民生态道德教育研究”(项目编号:15FSH005)。
关键词
桂林
漆器
中和之美
Guilin
lacquer ware
the beauty of neutralization
