摘要
文章应用宗教人类学和神话学的理论和方法,在梳理分析苯教文献中“赛玛格”来源的卵生神话、寺院传承、人物形象、象征符号及其舞蹈动作的基础上,进一步探讨了“赛玛格羌姆”的神话、舞蹈、仪式的混合载体特征,为“羌姆”法舞的源流提供了立论依据。
Based on the oviparous myth,monastery heritage,characters,symbolic signs,dance movement,this article uses theories and methods of religious anthropology and mythology to discuss the mixed characteristic of myths,dances,and rituals.It also provides evidence for the origin of cham dance.
作者
完得冷智
Ban de lhun vgrub(Institute for Southwest Ethnic Studies,Southwest Minzu University)
基金
西南民族大学研究生创新型科研项目“论神话、舞蹈、仪式的混合载体--以苯教赛玛格羌姆为例”(项目编号:CX2018BS01860921)资助。