从《乡恋》到《乡愁》:人民思乡情感的变迁及启示

From Xiang Lian to Xiang Chou: Changes and Enlightenment of People's Homesickness

《乡恋》和《乡愁》分别反映不同时代人民思乡情感的歌曲,观照和引导人民的思乡情感是“以人民为中心”的文艺创作理念对新时代文艺工作者提出的具体要求。新时代的音乐创作应当深刻把握时代发展背景下人民思乡情感的变化趋势及内在需求,在观照人民思乡情感、传播和表达人民心声的同时,还要充分发挥音乐“引领风尚”的功能,升华人民思乡情感,鼓舞人民增强干事创业的信心和动力,为实现中华民族伟大复兴的中国梦凝心聚力。

Xiang Lian and Xiang Chou are songs reflecting the people's homesickness in different times.To observe and guide the people's homesickness is the specific requirement of the"people-centered"concept of literary and artistic creation for literary and artistic workers in the new era.Music creation in the new era should deeply grasp the changing trend and intrinsic needs of people's homesickness under the background of the development of the times.While reflecting people's homesickness feelings,disseminating and expressing people's voices,it should also give full play to the function of"leading the fashion"of music,sublimate people's homesickness feelings and encourage people to strengthen their work and entrepreneurship.Confidence and motivation are the cohesive force for the realization of the Chinese Dream of great rejuvenation of the Chinese nation.