展开的自我与折入的世界——简析中国艺术家李洪波纸雕作品中的褶子

Expanded Self and the Folded World,A Brief Analysis of the Folds in the Paper Carving Works of Chinese Artist Li Hongbo

李洪波是中国当代著名的纸雕塑艺术家,与造型艺术通常的“可预知形态”不同,其雕塑艺术追求的是“不可预知的形态”。文章用德勒兹的褶子理论阐释了李洪波纸雕塑文本所共同具有的“生成性”特点和意义;并用弗洛伊德的精神分析理论分析了文本的“生成性”与艺术家内在心灵世界、外在文化世界的关联。文章认为,尽管德勒兹是反对梦的压抑学说的,但是其雕塑文本中却隐藏着一种被压抑的愿望,这种被压抑的愿望是文本中褶子折叠、展开与生成意义的动因。

Li Hongbo is a famous contemporary Chinese paper carving artist.Unlike the usual"predictable form"of plastic arts,his carving art pursues an"unpredictable form".The paper uses Deleuze’s fold theory to elaborate on the"generative"characteristics and significance collectively expressed in Li Hongbo’s paper carving texts,and it uses Freud’s psychoanalysis theory to analyze the texts’"generativeness"and the artist’s inner world relevance to the outer cultural world.The paper argues that although Deleuze opposes the repressive theory of dreams,there is a repressed desire hidden in his paper carving texts.This repressed desire is the motive for folding,unfolding,and generating meanings in the texts.