摘要
电影《影》以其独特的东方美学影像风格和国际传播的创新元素赢得了世界的广泛赞誉与诸多奖项。影片创造性地将中国水墨意韵的视觉色彩与中国独特的文化符号相结合,营造了东方美学的视觉意境。从华夏悠久的历史凝结中,提炼和萃取精华,诗意地呈现出阴阳平衡的东方哲学。在刀光剑影的武侠世界里,运用创新元素与手法,以自身特色融入世界电影之林,为中国电影国际传播的创新作出了有益的尝试与探索。
With its Unique Oriental Aesthetic Style and international dissemination of innovative elements,the film has won wide praise and many awards in the world.The film creatively combines the visual colors of Chinese ink and wash with the unique cultural symbols of China to create the visual artistic conception of Oriental aesthetics,it poetically presents the oriental philosophy of the Balance Between Yin and Yang;in the swordsman world,it uses innovative elements and techniques to blend into the world of film with its own characteristics,for the international dissemination of Chinese film made a useful attempt and exploration.
作者
杨铮
龙皓月
Yang zheng;long haoyue(Hubei University of Arts and Science,Xiangyang Hubei 441053,China)
出处
《襄阳职业技术学院学报》
2020年第3期138-140,共3页
Journal of Xiangyang Polytechnic
关键词
《影》
张艺谋
东方美学
国际传播
movie ying
zhangyimou
International Dissemination
Oriental Aesthetics