摘要
大英博物馆用数字技术呈现的中国明代画家项圣谟的《秋林读书图》三维动画,在网上引起极大轰动。这帧三维动画生动还原了《秋林读书图》的动态之美和立体之感,活化了中国古代山水画的自然美感;同时它提取《秋林读书图》中最典型的中国文化符号,精确演绎了原作所内蕴的文化之味与人生之境。由此可见,中国传统山水画的三维动画制作不仅是一个视觉再造的过程,更是精确提炼原作画面的核心要素、精准把握其内在精神、精到表现其文化意涵、精深表达作品思想情感的艺术再创造过程。只有这样,才能让数字技术带来的“视觉奇观”展露出激荡人心的巨大魅力。
The British Museum represents the picture of“Reading in Autumn Forest”with digital animation technology,which causes a great sensation on the internet.The frame of the animation vividly represents the dynamic beauty and stereo perception,livening the natural beauty of ancient Chinese landscape painting.Meanwhile,it also extracts the most typical Chinese symbols of the picture,accurately representing all the intrinsic cultural and human significance.From this,we can see that the three-dimensional animation of traditional landscape painting is not only a process of visual representation,but also an artistic process in which the core visual factors,internal spirit,cultural significance,thoughts and emotions are accurately recreated.Only in this way can the“visual miracle”brought by the digital technology display great charm that can reach the mind of every one.
作者
张学岚
ZHANG Xue-lan(Railway Police College,Zhengzhou 450053 China)
出处
《新余学院学报》
2020年第3期71-74,共4页
Journal of Xinyu University
基金
河南省教育厅人文社会科学研究一般项目“中国特色社会主义文化的传统特质研究”(2019-ZDJH-358)。
关键词
三维动画
《秋林读书图》
中国文化
数字技术
three-dimensional animation
Reading in Autumn Forest
Chinese culture
digital technology